The Pull List: Sword of Sorcery (Series Review)

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★ ★

(The Pull List is a weekly comic book review feature. A breakdown of my star ratings can be found here.)

Going in, you knew this was gonna be a tough sell. A niche title, with a $3.99 price tag, featuring an obscure character, with a relatively unknown writer behind it. The only way it could’ve worked is if the execution was absolutely top notch. But sadly the series was plagued with an excessive amount of exposition that dragged down the narrative flow.

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In Select Cities: The Evolution of Film Exhibition in the Late 20th Century

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Unlike its artistic brethren of literature and theater, the act of getting a film to an audience is at times more difficult than the actual creation of the art itself. Whereas the publishing of a novel requires nothing more than a few good printers, and the showcasing of a play calls for any kind of space, to get a film to an audience requires a means of projection, a location with which to project, film prints, and appropriate audio equipment or accompaniment. All of which come at costs that are often out of the realm of feasibility for many filmmakers. Read more…

What Woo Can Do For You: An Essay on Intertextuality

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Released in 1998, American filmmaker Antoine Fuqua’s directorial debut The Replacement Killers is a quintessential example of modern Hollywood excess. Stylistically rich but devoid of a reasonable amount of substance, the film is a cavalcade of American studio film clichés, tropes, and stereotypes. And yet, despite the film’s shortcomings, it remains something of a unique case study of the ever-expanding relationship between films and film cultures seen throughout the latter portion of the 20th century. Read more…

Has “Oz” Actually Justified a Sequel?

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When Disney announced a sequel to Oz the Great and Powerful prior to the movie’s release, it was with the seeming confidence that the film would be a guaranteed smash that would leave audiences clamoring for more.

The Pull List: Constantine #1

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★ ★

(The Pull List is a weekly comic book review feature. A breakdown of my star ratings can be found here.)

One of the things I love about DC’s The New 52, and one of the reasons it got me into actually reading comics on a monthly basis, is how it’s managed to make stars out of characters who’ve never had much of a presence in the DC Universe before.

John Constantine has become a major player in the The New 52, headlining an all-star team of supernatural heroes in Justice League Dark.

The 20/20 Experience: A Perfect Comeback Album

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JT is back. Has balance finally been restored in the pop cosmos?

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Reviewing DC’s The New 52

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Batman

Writer Scott Snyder and artist Greg Capullo have put together an inspired take on the Dark Knight that manages to inject new life into the entire Bat universe. The series takes the character’s various interpretations throughout the years and perfectly blends them together, combining the essential detective aspects with elements of gothic horror and mystery. With Snyder’s literary approach to narration and Capullo’s dense and detailed approach to the art, its a series that is terrifying, enigmatic, surreal, and intoxicating.

The “Court of Owls” storyline that encompassed the first 11 issues of the series is a brilliant twist on the Batman mythology that pulls off the rare feat of rewriting the history of Gotham City and the Wayne family without falling into retcon territory. The very concept of the illuminati-esque Court is so well handled and so perfectly embedded into the Batman mythos, that its almost impossible to believe they’re a brand new addition to the Gotham landscape. And with a character with as long and as rich of a history as Batman, that’s a stunning accomplishment.

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